Tag Archives: Europe

Grid girls and the Presidents Club: Women and sexist jobs

In 1995, my friend’s 17-year-old daughter Ermina was looking for work in Santiago, Chile. The obvious job available to her was posing in a short skirt beside cars or washing machines in public showrooms – standard promotional technique to this day. What made her hesitate? Girls who took those jobs in Santiago were assumed to be loose – no better than they should be. She might ruin her reputation whether she went on to do more than pose or not. There were also jobs in coffee bars, but they carried an even graver stigma. But Ermina didn’t want to follow in the footsteps of her mother and aunt, who had both migrated to Madrid to work as live-in maids. This was the kind of story I ran into everywhere in Latin America amongst poorer people back in the 90s, and is why I ended up writing Sex at the Margins.

Recently jobs like these have been in the news in the context of the #MeToo movement against sexual harassment but they also appear in long-running campaigns against prostitution and trafficking. All objections are increasingly positioned as evidence of Gender Inequality. I thought about writing this post after an event called the Presidents Club got undercoverage – a Financial Times reporter got a job as hostess. Scandal was provoked by revelations of the conditions of work for hostesses – conditions that have been conventional for aeons and most people know about. For those interested in labour rights, reports of low pay and a requirement to sign non-disclosure contracts stood out. For those who felt scandalised, it was having to wear skimpy frocks and accept being groped.

These jobs are widespread, because sexism is everywhere, because women without a lot of education and training have few options for work and because some women like hostess or modeling-type jobs better than whatever others are available. I understand why successful middle-class women denounce the existence of this work. I know this is objectification of women’s bodies and appearance, you don’t have to tell me. But what does it mean to call for their abolition except fewer jobs for women? And although the denouncers are appalled, many other women like or don’t much mind this way of making money.

The Presidents Club got much publicity because it’s an event for elite men. A class issue, as though those men ought to be better than others? Consider what happened ‘lower down’ the culture hierarchy.

Formula 1 ended its tradition of using grid girls because ‘it was at odds with modern societal norms‘.

The men drive the cars, they make the cars, they fix the cars and the women handed out drinks, refreshed the buffet… The grid girls would be led out, a bit like prize cattle, just before the race and stand on the grid where the cars are, with an umbrella or a number of which position the car was in. They would have their bottoms pinched by the mechanics, there would be photographers sat on the floor behind them, taking pictures of their bums, or up their skirts. They had to giggle and pretend that was OK. – broadcaster Beverley Turner

But grid girls protested.

Note the numbers for that tweet – and it wasn’t the only one, and Cooper wasn’t the only tweeter.

In the world of competitive darts, before this trend reports could say ‘stunning walk-on girls provide some much-needed glamour… The lovely ladies have the important job… to provide a key element to the festive entertainment.’

But now the Professional Darts Corporation announced it would end using walk-on girls who accompany players to the stage and hold up score cards. Announcing a protest in Birmingham, the owner of Dream Street Models and Events said, “If they’re banning us at F1 and darts, what’s next? Where’s it going to stop? Will it be boxing, Superbikes, the stands at NEC shows? Most of my models do promotional work, for some it’s a part-time job, but for others it’s their full-time living.”

The Women’s Sport Trust said: “We applaud the Professional Darts Corporation moving with the times and deciding to no longer use walk-on girls. Motor racing, boxing and cycling . . . your move.”

In parts of Asia beer girls (or promotion girls) are paid low wages to jolly male customers into ordering a particular brand of beer. Surviving from tips and working long into the night, they too have been named as improperly exploited by a funder.

The mostly young drink promoters are paid low wages — and work for tips, largely from groups of intoxicated men — to push certain beers in bars. Global Fund announced on Thursday in a statement that it was suspending its partnership with Heineken “based on recent reports of the company’s use of female beer promoters in ways that expose them to sexual exploitation and health risks”.

Exposed by hanging around drinking men and possibly having sex with them possibly for money that lifts them from survival-mode? A lot of women consider this a desirable job. Do you want to add ‘are forced to’ consider it desirable? Ok, but desire counts – don’t tell me you Know Better than they how they should feel and act.

Then there was MIPIM, an annual conference for property people that draws sex workers, an unremarkable fact that contributed to demands for more equality for female delegates at the conference.

Tamsie Thomson, the director of the London festival of architecture, said the Presidents Club scandal had “just scratched the surface of the discrimination and harassment that women and other minorities are routinely subjected to in our industry”. Thomson launched the “the elephant in the room” campaign to encourage women and others to challenge any inappropriate or uncomfortable behaviour and distributed pink elephant badges to raise awareness.

The event and sector are obviously mired in sexist practices, including holding events where only male delegates feel fully welcome. But there’s a disquieting tendency to imply that the fact sex workers might be there somewhere is evidence of Something Being Very Wrong. “What other industry on the face of the earth in 2018 needs to remind businessmen that they can’t bring prostitutes to an industry conference,” asked Jane, a 29-year-old delegate from Manchester. “That alone tells you how backward property is.” Do they imagine that getting rid of sex workers helps fix inequality problems? This leap to pointing at prostitution smacks of scapegoating.

As I lamented in The New Abolitionist Model, banning badly paid jobs because they are objectifying and sexist punishes women in contexts where they haven’t got many options.

Is the proposition still that being a servant for pennies and a scant private life is better because it is more dignified? Or is it superior simply because it is not sex work? Either way, to focus always on the moral aspects of sexual labor means forever sidelining projects to improve working conditions and legal protections.

Surely it’s obvious that more kinds of work for better pay need to exist before jobs women prefer are prohibited, even with the disadvantages they entail. There’s where this kind of feminist needs to put her energy, and that goes for richer and poorer countries alike.

Footnote: Nowadays the Santiago coffee bars are called cafés con piernas, cafes with legs, and (of course) are now named as sites of sex exploitation. The photo at the top shows one example.

And, in case anyone thought this phenomenon is always gender-specific, see this photo by Bill Kobrin of the Art Students League Dream Ball, New York, 1953. Yes – the 1950s.

—Laura Agustín, the Naked Anthropologist

Victimisation of Mary Prince: Early Rescue-Industry history

I’m always on the lookout for guided walks where I’ll be shown sites and hear histories not in the Establishment’s textbooks. Black History Walks showed me this plaque located in Bloomsbury on a wall where passerbys are unlikely to notice it.

Mary Prince was a slave born in Bermuda about 1788. Sold to several masters on different islands, she was brought to England in 1828 and a few years later dictated her story for publication. She was a migrant woman. You can read about Prince on many websites, one of which marvellously refers to Mary Prince’s Journeys.

The original 1831 edition of The History of Mary Prince had what we’d now call a title page as cover, according to the British Library. Later editions used and continue to use images, however.

Victimising imagery is standard fare in anti-trafficking campaigning as it is in most Third-World ‘Aid’ advertising. The theory is that feeling their heart-strings tugged loosens viewers’ holds on their wallets. The most-used images show girls cowering, hiding their faces, chained in dark places, crying. I collected a lot of the more horrible ones in an album. The victimisation of migrating women was my earliest question and complaint about how the mainstream was talking about them, and I published Forget Victimisation in 2003. (If you go to this link note the photo I used there.)

There are no photos of Prince from her lifetime, so what are the pictures used on covers of later editions of the book?

Penguin Books presently use this: a recognisable icon of anti-slavery history – the original Abolitionism. Slave is made to equal pitiable helpless shackled person in a pleading position. Pleading for help, for someone outside herself to free her. It’s a particularly inappropriate image to use for Mary Prince, whose agency can be in no doubt. Penguin should stop using it.

It’s not as sensationalistic as the image below, but it gets the message across that white people were needed to save black slaves. That slaves were passively waiting for liberation, rather than resisting in myriad ways, subverting the status quo, helping each other. Just the way present-day Rescue Industry campaigns obliterate the agency of migrants who pay smugglers to travel and get into trouble and then try to get themselves out of it.

You’d never guess that enslaved women like Prince existed. You’d never guess she negotiated several families and masters, got married, travelled, campaigned, authored a book. But she did.

On the bright side, the Bloomsbury plaque doesn’t even use the word slave. Now if it could just be placed somewhere a bit more noticeable. . .

—Laura Agustín, the Naked Anthropologist

Report from Macedonia: Balkan Noir

Last December I was in Skopje, the capital of Macedonia, on the occasion of International Day To End Violence against Sex Workers. This is what the sex workers’ march looked like on a wintry day. (2 Photos Credit: МИА, see Star Sexwork for more).

Macedonia isn’t a member of the EU because Greece objects to the name: political men’s clubs, eh? For myself, when asked if I’d been to the Balkans before I had to say Does it count if it was in the 70s? Obviously it doesn’t in terms of knowing anything except what a few places looked like to a young hitchiker down the Yugoslav coast. Then I was on my way to Greece and Egypt and points further south and east, and now I did recognise traces of the Ottoman in Skopje.

The sex workers of STAR gave a red-light performance for hours on the evening of 16 December, and Vanco Dzambaski took four pages of gorgeous photos of the event. In this one I’m outside looking up in company of Slavco Dimitrov of the Coalition Sexual and Health Rights of Marginalized Communities, who invited me to Macedonia.

This kind of venue – window prostitution – has never been part of Macedonian culture, which for a long time had regulated brothels typical in European history. As the time passed I began to feel we were watching a performance of modernity – the message to passers-by See what our profession looks like farther north. STAR’s live-stream of the event can be watched.

The performance went on for hours with breaks, and I moved from inside to outside, including across the large street to get a faraway view. I’m in the long coat.

In between sessions in the rainy streets we repaired to a bar where this Balkan Noir shot was taken. Slavco and Stefan Bogeski at the centre, me in the back head in hand, Dragana, Simona and Virginia at the edges. Thanks to all who showed me around (including Marija from HOPS), occasionally translated an alphabet I’d mostly forgotten, waited outside while I visited churches and peered at things. Especially thanks to those who responded when I insisted I needed Real Tea by taking me to a (conventionally) men-only café in the old bazaar. A big high-ceilinged room, no decor on the walls, no food, no games, just two screens showing different football matches, tea and cigarettes for men at wooden tables. It was heaven and made me feel I had ‘been there’ before.

As for my own invited talk, it looked like this, though none of the shots show how many folks were there. They had to bring in extra chairs, quieten partying children and all because there I was, waving my hands around as usual in front of a well-chosen photo from my collections of Women In Motion. It was said to be the first time anyone had talked like that in Macedonia – in terms of the ‘trafficking’ narrative, I take that to mean. One questioner said he assumed I myself had been a ‘sex-slave worker’ which shows how the media have confused things.

Thanks to Irena the moderator and Anna in the simultaneous translation box in the back. Lots more pictures were sent me, thanks to everyone who helped. I’m looking forward to my next trip out of Europe and into the Balkans. My only complaint about the whole thing were border-shenanigans leaving and entering Schengen at Vienna airport: once was already too many times.

-Laura Agustín, the Naked Anthropologist

International Day To End Violence against Sex Workers

On the International Day to End Violence against Sex Workers, 17 December, I’ll be in Skopje, Macedonia, invited to speak and march by the Coalition ‘Sexual and Health Rights of Marginalized Communities’ in association with the Institute for Ethnology and Antropology at Saints Cyril and Methodius University.

My public talk Sex at the Margins will be held at Public Room, which describes itself like this:

PUBLIC ROOM – Centre for design and innovation: Mezze bar, music, free co–working space for freelancers, concept store, prototyping room, library, commercial bazaars, fine arts and photo exhibitions, professional presentations, workshops for children and adults, business meetings, seminars and celebrations. Public Room is urban, multifunctional place open for all companies, organizations and enthusiasts from all generations… It is a pure hybrid space that abounds with opportunities, creative potential, programme for all tastes and people with positive attitude. You are welcome to realize your ideas in Public Room.

Pure hybrid – sounds like my sort of space. Mixed use, open to all, I’m in favour.

Here’s the facebook post for the event, which will be held at 1800 at 50 Divizija 22, 1000 Skopje: map to Public Room:

On Saturday 16 December, STAR STAR, a sex workers organisation, will do a Red Light District performance in Skopje city centre at 1700-1900 and 2000-2200 (Boulevard St Kliment Ohridski).

On 17 December at noon there is a march on Macedonia Street to mark the Day to End Violence against Sex Workers. Many sex worker groups hold events around the world on this day, and I’m happy to be in Southeast Europe, perhaps even in some sunshine.

-Laura Agustín, the Naked Anthropologist

All that is trafficking is rape, and other emotional excesses

A combination of titillation and outrage characterise public rhetoric about commercial sex, along with a tone of moral indignation suited to crusaders. A policeman in Cornwall has just warned that paying for sex with an ‘unconsenting’ woman is rape. Poor dullard, as an agent of the law surely he knows that muddling legal terms isn’t good for his job? In UK law paying for sex with a ‘trafficked’ person is prohibited, not defined as ‘rape’. But then think how much easier everything will be when there’s no bothersome distinction to make between trafficking and rape. A single meme to denounce all.

Early on in my studies, when I first was invited to talk to groups, I learned quickly how the temperature went up although I wasn’t saying anything graphic or violent. I thought I was simply recounting how poorer women often decide to take risks to travel via smugglers to rich countries, some of them to work as maids, others to sell sex, many to try both. I thought I was telling good news about curious, determined, brave women.

But those reasonable stories, told in an ordinary tone, caused commotion. Some listeners seemed to feel I’d slapped them, asking Do you think everything is okay? What do you want us to do, not care, not try to help? So I saw there were two problems: First, my tone and emphasis seemed to accept the dire straits some women are in, and, second, my suggestion that trying to make women stay home did them no favours was highly unwelcome.

My tone is key to being able to study in a clear-headed way, plus it is genuinely how I feel. I wasn’t going to take up an indignant, judgmental stance. But I wanted to draw listeners in better, so I tried harder to put myself in the shoes of middle-class audiences, to understand their distress more. To frame my talks with something more familiar to them, some way for it not to sound as though acceptance of reality gets us all off the hook of giving a damn about other’s problems. I got a little better at it.

But I wouldn’t be able to continue commenting unless I felt a sort of calm about it all, a sense of belonging to the great stream of history. Not Progress but a long chain of events surrounding the exchange of sex for money.

In this context I was happy to receive the following email:

I wanted to tell you how much I liked your book The Three Headed Dog. It’s well written and honest. I enjoy your website and think you make a lot of sense.

I used to live in Holland and did from time to time have fun with a sex worker. The house was in a quiet suburb. The locals had no problem with the it. Indeed it was next door to a cafe where kids and adults would eat.

I got to know a few of the women who worked there. None were abused or forced into sex work. Some didn’t like the work, others did. They all were doing it for the money. Strong women not victims.

One lady became my regular. I would enter and be greeted by the Madam who would either ask for her or she would spot me and come over. I would play for her and then to a private room for an hour of fun.

So it’s not the world painted by some people. Thanks once again for your efforts.

The tone is cool and declarative: This is how it was. No rhetoric, few adjectives, no great claims. Just the experience a lot of people have when left alone out of the limelight where politicians and crusaders roar, sex workers and clients alike. Thanks to this anonymous client who wrote to me.

In The Three-Headed Dog, Félix’s partner Marcelo goes in for a bit of bombast about a migrant sex worker who’s started coming to the bar.

‘Yes I know other prostitutes drink at the Dog. But they aren’t coal-black Nigerians in white satin corsets and giant hairdos. They aren’t advertising it like she is.’

Leila finds Marcelo’s conformism intolerable, but I find him restful. A sort of psychological Rotarian who follows predictable lines of opinion, always quoting from the same sources in mainstream newspapers. He even once asked why I never got a job with the police so I could be a Good Guy going after the Bad. I pay no attention.

And I knew he was ashamed even before I replied, because he has limits. ‘Give over, Marcelo. Everyone can wear what they like here, it’s a neighbourhood tavern, not the opera house. She wears a coat over the corset, for God’s sake, but if she ever takes it off I’m not throwing her out, I’m telling you right now. Maybe I’ll wear my own corset here some day – it’s red.’

A drinker who was listening said, ‘Hey, I know which opera it is – La Traviata. You know, where the courtesan falls on the floor crying about her sin.’

The Three-Headed Dog is noir fiction, a novel set in Spain, with undocumented migrants as protagonists. Including sex workers who are coping – imagine that. The detective is a now-regularised migrant as well. It’s the first in a series, prepare for more non-scandalous treatment of underground lives. Readable on any device, no kindle required.

-Laura Agustín, the Naked Anthropologist