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urlOf all the characters destined to work selling sex in The Three-Headed Dog, Marina has the most experience. Now in Spain for the second time, Marina comes from a backwater of la República Dominicana. Sharing the island of La Española (Hispaniola) with Haití, Dominicana is a poor, weakly governed nation popular with tourists on tight budgets. Many of these are called sex tourists by critics, meaning a central purpose for their visit is to buy sex and romance with natives, in a typically tropical setting. Marina reflects on how she got started in her present career.

d5d43c2ca5485db793354630fd176c90… if nice trees and flowers were enough to live on she would never have left home. She would have made do with slaving away as shop assistant in her aunt’s colmado or as a maid to some pretentious lady in the city, either way for pennies. Instead she took a job as hostess in a beer-hall, and her mother sobbed like it was the end of the world. It was okay for a while, but Marina was always looking to better herself.

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http://www.hookstrapped.com/peter-brian-schafer-portfolios

She got taken on at an open-air nightclub in a larger town. It had twenty rickety tables, strings of coloured lights and loud music equipment. There was a platform made of two-by-fours where a single spot was turned on women dancing naked. It was close enough to beaches that tourists rode up on flimsy motoconchos, guys of all different nationalities, some who could barely stay on the bike. Motos with five Dominican kids would pass them roaring with laughter. Marina learned which men danced the best, which were most polite, and which gave the biggest tips.

scene_typique_ambatalok_nosy_tnThe craziest thing was the lines they spun! Come with me to Berlin, you’ll be a queen. There’s no one like you in my hometown. You’re a real woman, like we don’t have anymore. What a beautiful colour your skin is. Foreigners said island girls were sweet and willing to do anything they were asked. She fell for it only once, but the Romeo gave away his plan when he let slip how nice she would be able to make his apartment. If she wanted to be someone’s wife, she could have stayed home.

Marina wants to strike out on her own, not tied from the outset to anyone who believes he has the right to control her. She wants to go abroad like other women she has known; traditions to go to Europe are old in her country. She chooses to buy papers and services from small-time ‘travel agents’. On her second trip to Spain things go wrong, but not because of smugglers’ evil intentions against her; rather they are competing with each other for pieces of the smuggling pie.

Discussions of the fate of women like Marina generally talk over their heads. The wrongness of sex tourism and lack of options for females under patriarchy are the topic, while the pragmatic decisions women make in the here and now are sidelined. In The Three-Headed Dog, as in Sex at the Margins, their actions are the story.

hqdefaultMany times, their goal is to make enough money to build a simple house back home. Other times, they decide to try to stay abroad.

Laura Agustín, the Naked Anthropologist

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1257051160_850215_0000000000_sumario_normalI wrote The Three-Headed Dog to get away from the straitjacket of a debate where one side is always moralising and the other reacting with rational debunking. In terms of academic discourse I long ago proposed The Cultural Study of Commercial Sex, with the aim of expanding topics of interest from a narrow (but still vague) idea about prostitution, with its attendant moral baggage.

I don’t know how long improvements might take, either to the debates or academic production, but I stick by my assessment of many years back that In 200 years the situation has not improved for women who sell sex, but the social sector to help them has grown exponentially. I mention 200 years because that is when the contemporary idea of prostitutes as victims needing to be saved began (I did historical research for Sex at the Margins).

Most people never hear or see useful, complicated or interesting information about jobs in the sex industry. They don’t realise how common it is to work there; their friends that do don’t tell them. How can they learn anything new if all they see are ‘debates’ and screamy trafficking headlines? Reading fiction is one possible way.

In The Three-Headed Dog the search for a missing boy takes the detective-narrator into a number of sex-industry businesses.

1273511051_0* Bars with hostesses and beds available in back: Félix, the narrator, goes dancing with Carlos, who runs several hostess bars in Madrid. At the end of the night Félix persuades him to take her to one, despite his conviction that she is the wrong kind of woman to be there.

* Residential flats where a number of sex workers are available at the same time to clients who make appointments. Marina has worked in the past in flats in Torremolinos, but inexperienced managers have taken over, causing havoc.

Club_de_alterne_40064* Large sex clubs on highways where workers live for a few weeks at a time: Marina decides to go on this circuit in northwest Spain after several bad experiences in flats.

* Bars with dark rooms for sex and pick-ups: Eddy gets a job washing dishes in a gay bar in Madrid.

* Spas/massage parlours: Businesses of varying quality and style where sex is on the menu alongside health treatments. Félix investigates two in Madrid.

* Cruise ships: Marina considers taking a stewardess job.

DSC07713* Streets: Promise works with a few friends close to Málaga’s centro histórico. Eddy makes friends with a rent-boy who works in Madrid’s Puerta del Sol.

These are of course not all possible venues; I did a basic typology some years back of the sex industry in Spain.

SUCESOS-INMIGRACION-PROSTITUCIONNone of the characters talks about doing completely independent escorting. That’s not significant, just not part of this particular story. Most here are migrants who have gotten into debt paying smugglers and false-papers makers and who expect to work in businesses where managers organise a workplace and workers do shifts. We don’t know the details about anyone’s street-work.

22606957325_39f94c53cb_bThe sex industry is represented in other ways in the book. Félix’s friend Carlos has long experience employing chicas de alterne, but another migrant man wants to start a smuggling and pimping network. Eddy takes up with a ‘sex tourist’ (perhaps, it’s a pretty useless concept). There are sentimental clients and an outreach worker angry about disruption to provision of health services in flats caused by managers’ turf wars. There are various employees in the spas, and migrant maids considering going into sex work. A couple of men are seen arranging photos of women on a webpage in a cybercafé.

For readers steeped in reductionist media discourse to read a story where these are the characters and jobs might help understand better. For more on why I wrote a piece of noir on sexwork and migration, see
Sexwork and Migration Mystery and
Melodrama and Archetypes.

-Laura Agustín, The Naked Anthropologist

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agustin-thethreeheadeddog-1400Despite how it might look to those who’ve known me only since Sex at the Margins, I’m not making a sudden switch to fiction. It’s one of the things I used to write before the Internet, before doing postgraduate degrees, before social media. I began this story, in my head and scribbled notes, not long after starting those degrees in the late 90s. This I now understand to show how quickly I grasped the limitations of academic work. There’s nothing left of that first version but the concept: a searcher for missing migrants in economic and social undergrounds, multicultural and hybrid settings, job markets that routinely include sex. In general such stories are not published unless the migrants are portrayed as passive victims needing rescue by much straighter and more comfortable characters.

michaelrougierThe Three-Headed Dog is about undocumented migrants in Spain and their smugglers. A lot of them work in different segments of the sex industry. The incidents portrayed would be labelled trafficking and the migrants victims by anti-prostitution and anti-migration campaigners. I don’t see things that way. Just as I strove to show in Sex at the Margins that many migrants don’t perceive themselves as inert objects of cruel fate and evil men, here a few of them act out their stories, trying to find ways to get ahead and stay out of trouble.

Fiction is not the opposite of fact; truth is glimpsed in different ways. The characters here are neither real nor unreal but created themselves in my imagination out of my long experience of travelling on my own and talking with people. I’ve seen everything that happens in this book. I’ve known people who thought and acted these ways. But all migrants don’t experience things the same way, and they may change how they feel over time. The fact they share is not having legal status to be and work where they are living (under constraints and duress). Falsehoods are fundamental. My intention is not to romanticise but pay attention to lives nearly always shoved out of sight.

10422545_10153240525334511_900316605402882336_nAbout genre labels 

To publish is to choose categories for databases. The Three-Headed Dog is a mystery, a crime story, a (hardboiled) detective novel short on gore and violence. A noir. Noir signifies a dark, morally complicated mood (the opposite of a clear struggle between good and evil). That doesn’t make it amoral (an accusation often thrown at me). The detective’s moral compass shifts as a result of introspection. Good is often tinged with bad, and attempts to do right go wrong. Exploitative characters can be sympathetic. It’s shadowy in noir; the lighting is low. But in low light you see things you don’t see in the bright.

The style is terse: that’s really me. Pithiness works to suggest meanings rather than lay them out. Mine is a rather anti-Enlightenment endeavour. You get glimpses of truths and they contradict each other.

402202_10150584228439511_1629372089_nSee what you make of The Three-Headed Dog. I published it on Amazon Kindle, but you don’t have to own a kindle device to read it. Links to free apps are right there. If you leave a few lines of review when you finish you make it likelier Amazon’s search machine will find and show the book to new readers.

I will be musing more about why and how I wrote this book. Leave questions here and I’ll try to answer them.

If you want to read more, subscribe to email notifications at the bottom of the right-hand column. If you were already subscribed, I’m sorry to say the earlier software broke and your address was lost, so take a few seconds to subscribe anew. The RSS feed is still A-okay.

-Laura Agustín, The Naked Anthropologist

 

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Christmas in the Brothel is from 1905. There’s a tree, a woman with little black book and pencil, a man reading, figures in the background and empty space. To me it shows ordinariness, everyday life. The word brothel is in the title, but it could be any bar. If you like Christmas you may like that they celebrate it in the brothel, too. Or if you feel unhappy at Christmas you may like to know there was a place to go and be alone with other people.

Munch painted other pictures that don’t have such a keyword in their names but represent brothel scenes.

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Viewers may read anything they like into these depictions: Whether the characters are happy or sad, whether they drink too much, whether the venues are nice or nasty. Munch frequented them, that much is clear.

Laura Agustín – The Naked Anthropologist

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13_9_percent_increase_in_human_trafficki_2612620000_13473621_ver1-0_640_480High Hopes for refuge for human trafficking survivors seemed like just another story about small Rescue-Industry projects getting big funding and providing founders with lots of good feelings about themselves. I ran it on facebook poking gentle fun at the rustling pecan trees. After a few routine comments I got a call on the anti-trafficking hotline.

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I don’t think we missed any major points to be cynical about in this spoof of a person who makes a hotline-call to help police, not a victim. It was a spontaneous conversation, and I haven’t edited it to publish here.

e86054d100ce6529f45a589eacb43d80-w2041xNorma Jean Almodovar is author of Cop to Call Girl: Why I Left the LAPD to Make an Honest Living As a Beverly Hills Prostitute, published in 1994. She created and maintains Police Prostitution and Politics: Operation Do the Math, where she keeps track of FBI claims about sex-trafficking. ‘I do it because prostitution abolitionists can’t count,’ she says.

And the pecan trees keep on rustling. I’d sure like to get me some of that horse therapy.

Laura Agustín – The Naked Anthropologist

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hopeforjusticeukWhat isn’t on this list of signs of human trafficking? Has there ever been a vaguer term than abuse of vulnerability? It could describe being a parent or teacher easily. If informants are supposed to make a telephone call based on any of these signs – which is what this says – then heaven help the switchboards. No wonder Rescue-Industry groups have to ask for so much funding.

Lists of the so-called signs of being a victim of trafficking are now common, even placed in airports in hopes that victims may experience revelation and realise they need rescue. Such techniques demonstrate how the Rescue Industry institutionalises, submitting to funding guidelines written by government bureaucrats. The particular group that produced the list you see here have expanded from the US to the UK. It’s a sort of globalisation of weak thinking.

There are young people now who have grown up surrounded by campaigning against trafficking, unaware there is conflict about how to define the term. Some want to dedicate energy to combating what is figured as a modern social evil. Some compare themselves with 19th-century anti-slavery advocates and feel outraged that anyone would question what they are doing.

The field gets critiqued regularly, and I don’t always contribute when asked for comment. I regularly send a link to Dear Students of Sex Work and Trafficking (students can be taken as a general term for those who wish to inform themselves). I don’t want to repeat the same ideas over and over when it’s all easily findable on a website, and I don’t like reducing complexity to bullet points. I also think everything has been said, and claims that insights are new are untrue. Online Editors routinely splash every banal keyword into headlines, sometimes without reference to what the item actually contains. Exaggeration has taken over.

Recent inquiries roused me to sketch out a few basic ideas that take in the history.

mobilityThe Convention on Transnational Organised Crime was published in Palermo in 2000 by the UN Office on Drugs and Crime. Two protocols on human mobility were appended, one on trafficking, the other on smuggling. The process of defining these was long and conflictual and has been documented publicly. It was all supposed to pertain to undocumented migrants, a topic nearly always omitted from current commentary. I’ve written about these protocols more than once, particularly their genderedness and how sex is pointed to when the mobile people are women but not when they are men. The cover to my book Sex at the Margins used the image of mobility and human agency seen here.

After the Convention was published, the idea of trafficking began its ascent, and soon we who were interested in migration, sex work and labour policy realised it was useless for gaining equity or rights. The framework of the Convention is Crime – there is no fixing that. The assumption is this human mobility to work is fomented by criminals who use force and coercion against their victims – notions impossible to pin down because they vary infinitely amongst individuals according to momentary conditions. If you look at the footnotes opposing sides published on the language of the protocols you see how they argued about these keywords. Later some wag used the term sex trafficking, moving towards reductionism that is typical to the campaigning of moral entrepreneurs.

Behind this over-simplification and over-focus on sex lie real social inequalities and oppressions: migration policies that favour middle- and upper-class jobs, out-of-date notions of the formal economy and productive labour, young people who want to get away from home, job-seekers willing to take risks to make more money, laws that make commercial sex illegal, laws that make sweatshops illegal and there is more. To lump all this under a single term simply disappears the array of different situations, encourages reductionism and feeds into a moralistic agenda of Good and Evil. The term trafficking is an invention incapable of describing so many realities, and it does not help to reduce them all to two possibilities – the Free vs the Enslaved, the Autonomous vs the Coerced. In the case of those who sell sex it does not help to reduce them to Sex Workers vs Victims of Trafficking.

I am asked what better language would be, but the issue is not language, as though everything might be fixed by changing the words. The framework setting out the problems is good for nothing but policing. I suggest addressing specific injustices on their own terms. For example

-If the subject is runaway teenagers who don’t want to live with their parents or go to school and don’t have money or job-skills, then talk about that.

-If the subject is people who took a job that didn’t turn out the way they expected but they need the money so don’t leave it, then talk about that.

-If the subject is migrants who crossed borders with false papers so they are not legal to work at any job, then talk about that.

And so on. Get down to specifics, deal with real situations, stop arguing about ridiculous abstractions. Social policies do not have to be so dumb.

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–Laura Agustín, the Naked Anthropologist

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Sex-Work-Is-Not-Trafficking-300x292Anti-prostitution advocates routinely use absurd over-simplications to make their crusade crystal-clear easy to understand. Campaigning works better when arguments are black and white and slogans are catchy, obviously, so I realise why some sexworkers’ rights supporters are now using a slogan that also reduces complexity to two opposed states: Sex Work is Not (Sex) Trafficking (sometimes ‘sex’ is omitted). The purpose is to clarify the volition of sex workers who demand labour rights, but for those who struggle against the framing of undocumented migration and people-smuggling as ‘organised crime’, with the only two roles possible perpetrator and victim, the concept is morally bankrupt.

sanjoseCRSex Work is Not Sex Trafficking arose (first) from the common refusal by abolitionists to recognise that anyone sells sex voluntarily and (second) because they early on began fiddling any distinction between prostitution and trafficking. Claims like No woman would ever choose to prostitute herself and the cries of unhappy ex-victims that their experiences are true for everyone led naturally to an opposing insistence that many do opt to sell sex – some loving their jobs and others just preferring it to their other options.

thaiBut to say Sex Work is not Sex Trafficking is to reify the current trafficking narrative, accepting that it refers to something real and bad that must be fought against. The slogan tries to make a sexworker identity clear by distinguishing it from a trafficking-victim identity – the Free versus the Unfree. Saying Some of us are willing to sell sex draws attention to those who are not willing - a distancing mechanism characteristic of identity politics. To maintain I don’t need your help or pity means you accept that other people do need it – those who are really trafficked.

This is to accept the repressive policing, infantilisation of women, colonialism, anti-immigration policy and a range of Rescue Industry offerings: just not for real sex workers. It says You win to anti-trafficking campaigners, even if you don’t mean it to. It throws under the bus all migrants, documented or not, who don’t much like selling sex and don’t call themselves sex workers but don’t want to be saved or deported. It Others the many who have limited control over their lives, feel pressure to earn money however they can or want to get the hell out and go somewhere else and will do whatever it takes to get there. This includes teenagers who leave homes they hate and end up on the street or avoiding the street by trading sex for a place to live.

nocturnoThe entire range of complexity and diversity nowadays thrown into the term trafficked is denied. Years of attempts to bring justice and nuance to a bad criminal framework are ignored. The myriad different ways to feel forced, obliged or coerced into leaving home or having sex for money or giving some of your money to someone else are disappeared. And yes, I understand that Rescue-Industry victimisation makes folks feel anxious to provide something graspable to wider audiences. But the catch-phrase Sex Work is Not Sex Trafficking only contributes to the reductionism pushed by anti-prostitution and anti-trafficking campaigners.

It’s deplorable. Avoid it.

–Laura Agustín, the Naked Anthropologist

 

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ansicht_3933I am looking forward to being in Hamburg, Germany, in August, for this unusually interesting event. My own talk is called Disqualified: Why sex workers suffer social death and will focus on how representation of women who sell sex as damaged victims disqualifies them from rights and justifies a whole Rescue Industry devoted to pushing them around. Some of this was covered in Prostitution Law and the Death of Whores.

The whole event will take place in English, so if you are near Hamburg, consider a visit. Venue: Kampnagel, Jarrestraße 20, D-22303 Hamburg. Write to tickets [at] kampnagel.de to reserve a place. Or you may show up at the box office and hope tickets are available on the day(s).

INTERNATIONALES SOMMERFESTIVAL: KONFERENZ: FANTASIES THAT MATTER. IMAGES OF SEXWORK IN MEDIA AND ART

Alice Schwarzers Aufruf zum Verbot von Prostitution hat in den deutschen Medien eine rege Diskussion entfacht. Jenseits der moralischen und politischen Frage, wie mit Sexarbeit umzugehen sei, ist dabei auch deutlich geworden, dass die Debatte von Projektionen, Fantasien und Mythen dominiert wird. Verlässliche Informationen zur Sexarbeit gibt es auch deshalb nicht, weil dieses Berufsfeld immer noch stark stigmatisiert ist und Sexarbeiterinnen und Sexarbeiter selbst kaum an der öffentlichen Repräsentation ihres Berufs teilhaben. Gemeinsam mit dem Missy Magazine veranstaltet das Internationale Sommerfestival eine Konferenz auf der Bildwissenschaftlerinnen, Sexarbeiterinnen, Künstlerinnen und Medienmacherinnen in Vorträgen, Diskussionen und Performances die Bilder von Sexarbeit untersuchen, die – nicht nur die aktuelle – Diskussion dominieren. Was erzählt das Bild, das sich die Gesellschaft von Sexarbeit macht, über ihr Verhältnis zu Frauenarbeit, Sexualität und Sexualmoral, Gender, Migration und Armut?

DAS PROGRAMM:

[Fr] 08.08.

18:00 ERÖFFNUNG und BOSOM BALLET (Annie Sprinkle) /// p1

Nach einer kurzen Eröffnung der beiden Konferenz-Gastgeber Margarita Tsomou (Kulturwissenschaftlerin/Missy Magazine) und Eike Wittrock (Theaterwissenschaftler/Internationales Sommerfestival) zeigt Annie Sprinkle zur festlichen Eröffnung der Konferenz das BOSOM BALLET (Brüste-Ballett) – eine ihrer legendären Performances.

18:15 IMAGE_WHORE_IMAGE. THE POLITICS OF LOOKING AND LOOKING BACK Vortrag von Antke Engel (D) /// p1

Antke Engel, Leiterin des Instituts für Queer Theory (Hamburg/Berlin), eröffnet die Konferenz mit einem Vortrag zu künstlerischen Bildern von Sexarbeit und betrachtet die Politik der Repräsentation im Spannungsfeld von Fremd- und Selbstbild. Engel ist freie Wissenschaftlerin im Bereich feministischer und queerer Theorie und hat seit den 1990ern maßgeblich das Feld queerer Geschlechter- und Sexualitätenforschung im deutschsprachigen Kontext wie auch auf internationaler Ebene geprägt.

19:30 BAISE MOI Gespräch mit Filmausschnitten mit Coralie Trinh Thi, Drehbuchautorin, und Stefanie Lohaus, Missy Magazine Herausgeberin /// p1

BAISE MOI (Fick Mich!) schockte 2000 das Kinopublikum mit einer schonungslosen Darstellung von Sexualität und Gewalt, formuliert aus weiblicher Perspektive und vor dem Hintergrund »realer« Erfahrungen mit Sexarbeit. Coralie Trinh Thi, Drehbuchautorin des Films, wird gemeinsam mit Missy Magazin-Herausgeberin Stefanie Lohaus Ausschnitte aus dieser kontroversen filmischen Darstellung von Sexarbeiterinnen kommentieren und diskutieren.

22:00 MACHO DANCER Performance von Eisa Jocson (PHL/B) /// p1

Für ihr Solo MACHO DANCER hat sich die bildende Künstlerin und Choreografin Eisa Jocson eine Form des erotischen Tanzens, die vornehmlich in philippinischen Schwulenbars praktiziert wird, angeeignet. Zu Powerballaden und Soft Rock bewegen sich junge Männer in einer hyperstilisierten Form von Männlichkeit, lassen langsam ihre Hüften kreisen und präsentieren ihre Muskeln. In der Übertragung auf ihren (weiblichen) Körper verschwimmen dabei Geschlechterbilder, und die Mechanik dieser ökonomischen Körper-Performance wird sichtbar.

[Sa] 09.08.

11:00 PROSTITUTION PRISM REFLECTIONS: FROM FACT TO FANTASY Vortrag von Gail Pheterson (F) /// p1

Gail Pheterson hat mit ihrem Buch »Huren-Stigma«, das im Original bereits 1986 erschien und das als internationales Standardwerk gilt, einen wesentlichen Beitrag zur feministischen Debatte um Sexarbeiterinnen geleistet. Die Autoren des Klassikers zum Stigma ist seitdem für ihre Publikationen zu Prostitution international bekannt – sie ist Dozentin und Forscherin am Centre de recherches sociologiques et politiques, Paris CRESPPA-UMR 7217, CNRS und der Université Paris 8 und wird über die Thesen ihres letzten Buches Le prisme de la prostitution (Paris, L’Harmattan, 2001) vortragen.

12:00 BREAD AND ROSES: RETHINKING SEXUAL AND ECONOMIC JUSTICE Vortrag von Nikita Dhawan und María do Mar Castro Varela (D), anschließend Gespräch mit Luzenir Caixeta (AUT) /// p1

Nikita Dhawan ist Juniorprofessorin für Politikwissenschaft mit Schwerpunkt Gender/Postkoloniale Studien an der Goethe Universität Hamburg, im Rahmen des Exzellenzclusters »Die Herausbildung normativer Ordnungen«. Maria do Mar Castro Varela ist Professorin an der Alice Salomon Hochschule für Angewandte Wissenschaften, Berlin. Sie beide gehören zu den innovativsten Denkerinnen der intersektionellen Verschränkung von Migration und Feminismus im deutschsprachigen Raum. Zusammen werden sie über die Frage der Repräsentation migrantischer Sexarbeit referieren. Anschließend findet ein Gespräch mit Dr. Luzenir Caixeta, Mitbegründerin und Koordinatorin des Forschungsbereichs von maiz (Autonomes Zentrum von und für Migrantinnen, Österreich) statt, das für seine Arbeit mit migrantischen Sexarbeiterinnen über Österreich hinaus relevant ist.

14:30 DISQUALIFIED: WHY SEX WORKERS SUFFER SOCIAL DEATH Vortrag von Laura María Agustín, anschließend Gespräch mit Camille Barbagallo (GB) /// p1

Laura María Agustín ist Soziologin, arbeitet zu undokumentierter Migration, Menschenhandel und der Sexindustrie und hat mit ihrem einflußreichen Buch »Sex at the Margins: Migration, Labour Markets and the Rescue Industry« (Zed Books 2007) neue Thesen zur Rolle von NGOs und Hilfsorganisationen in der Sexarbeit in die internationale Debatte gebracht. Nach ihrem Vortrag wird sie mit Camille Barbagallo, Forscherin an der Goldsmiths Universität London, diskutieren warum die Stimme bzw. die Versuche von Selbstrepräsentation seitens der Sexarbeiter_innen in der Öffentlichkeit entweder nicht gehört oder disqualifiziert werden.

16:00 ZOOM IN: PROSTITUTION/POLITICS HAMBURG Gespräch mit Ulrike Lembke (HH), Undine de Rivière (HH) und Gerhard Schlagheck (HH) /// p1

Das Panel wird sich mit der konkreten Situation in Hamburg – der »Stadt der Huren« – beschäftigen sowie die Debatte um das deutsche Prostitutionsgesetz aufnehmen. Ulrike Lembke ist Juniorprofessorin für Öffentliches Recht und Legal Gender Studies an der Rechtswissenschaft der Universität Hamburg – sie soll unter anderem auch der Frage nachgehen wie geltendes Recht gesellschaftliche Verhältnisse widerspiegelt, d.h. warum etwas als rechtmäßig gilt oder nicht. Undine de Rivière ist Sexarbeiterin in Hamburg, Sprecherin des Berufsverbandes für erotische und sexuelle Dienstleistungen und wegweisendes Mitglied des »Ratschlags Prostitution Hamburg«. Gerhard Schlagheck leitet das »Basis-Projekt«, die einzige Anlaufstelle für männliche Stricher in Hamburg. Sie beide sollen konkret über ihre Auseinandersetzungen mit der rechtlichen Situation in Hamburg sprechen.

18:00 WATCH ME WORK Performance von Liad Hussein Kantorowicz /// k4

Liad Hussein Kantoworicz ist Performerin (UDK Masterstudiengang SODA), Sexarbeiterin, Autorin, Queer-Aktivistin und Gründerin der ersten Gewerkschaft für Sexarbeiterinnen im Mittleren Osten. Darüber hinaus arbeitet sie für eine israelische Erotik-Chat-Webseite, bei der die Kunden für intime Gespräche und persönliche Live-Performances pro Minute zahlen.

In der Performance WATCH ME WORK ermöglicht sie einen Echtzeit-Einblick in diese Cyber-Sexarbeit und lässt sich aus verschiedenen Perspektiven bei ihrer gleichsam intimen wie höchst theatralen Performance beobachten.

20:30 MY LIFE AS A METAMORPHOSEXUAL SEX WORKER. ALWAYS RECREATING MY SEX WORKER SELF Performance von Annie Sprinkle (USA), mit Beth Stephens und Gästen /// p1

Die legendäre Pornodarstellerin, Künstlerin und Sexarbeitsaktivistin der ersten Stunde, Annie Sprinkle, kehrt für eine ihrer Lecture Performances nach Hamburg zurück. Sprinkle ist eine der bekanntesten Vertreterinnen des sexpositivem Feminismus und eine Ikone der sexuellen Aufklärung in den USA und darüber hinaus. Sie hat Sexualität praktisch und theoretisch erforscht, vom Heiligen bis zum Profanen. Ihre Arbeit an der gemeinsamen Emanzipation von Frauen und Sexarbeiterinnen ist international wie historisch von großer Relevanz. Ihre Performance »Post Porn Modernist« tourte durch mehr als 19 Länder und wurde zu einer wichtigen Intervention im Sex-War innerhalb der feministischen Bewegung der 80er Jahre in den USA:

Auf dem Sommerfestival wird sie anhand von Videos, Fotografien, Mini-Performances und einem Ritual der heiligen Eco-Hure aus ihrem ereignisreichen Leben und von ihren politischen Aktivitäten berichten, die sich derzeit auf Liebe, Beziehung, Brustkrebs, Altern und den Schnittpunkt von Ökologie und Sexualität – Sexecology – konzentrieren.

[So] 10.08.

12:00 COLLATERAL DAMAGE Mithu Sanyal im Gespräch mit Carol Leigh AKA Scarlot Harlot

Carol Leigh AKA Scarlot Harlot ist nicht nur, weil sie den Begriff Sexarbeit erfunden hat, eine der international wichtigsten Figuren der Sexarbeiter_innen Bewegung. Sie gilt als einer der »Muttern« der Sexarbeiter_innen-Bewegung, sie ist Autorin, Sexeducator, Produzentin, Filmemacherin, hat mehrere Veröffentlichungen, mehrere Festivals gegründet und leitet nun das San Francisco Sex Worker Film and Video Festival.

Während der Konferenz werden durchgehend Auszüge als Preview ihres neues Dokumentarfilms COLLATERAL DAMAGE: SEX WORKERS AND THE ANTI-TRAFFICKING CAMPAIGNS als Installation gezeigt.

Über die Arbeit an dem Film spricht sie mit Mithu Sanyal, der preisgekrönten Journalistin und Autorin des mehrfach übersetzten Buchs über die Kulturgeschichte des weiblichen Genitals »Vulva – Die Enthüllung des unsichtbaren Geschlechts« (Wagenbach Verlag, 2013).

12:30 SELFREPRESENTATION: SEX WORK AND ART WORK Abschlussdiskussion mit Liad Hussein Kantorowicz, Coralie Trinh Thi, Eisa Jocson, Annie Sprinkle und Carol Leigh AKA Scarlot Harlot /// p1

Das Abschlusspanel der Konferenz bringt die Medienmacherinnen und Künstlerinnen der Konferenz zusammen, um über die eigenen Strategien von Selbstrepräsentation im Spannungsfeld zwischen Selbst-und Fremdbild zu reflektieren.

PERFORMANCES IM RAHMEN DER KONFERENZ:

Eisa Jocson: MACHO DANCER (08.08. / 22:00)

Liad Hussein Kantorowicz: WATCH ME WORK (09.08. / 18:00)

Annie Sprinkle: MY LIFE AS A METAMORPHOSEXUAL SEX WORKER. ALWAYS RECREATING MY SEX WORKER SELF (09.08. / 20:30)

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KONZEPTION Margarita Tsomou, Eike Wittrock.

Die Konferenz ist eine Zusammenarbeit mit der Körber-Stiftung und dem Missy Magazine.

Information: mail [at] kampnagel.de

–Laura Agustín, the Naked Anthropologist

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vance11e-1-webIn the last couple of weeks, on twitter, I tore into a piece of research funded by the US National Institute of Justice entitled Estimating the Size and Structure of the Underground Commercial Sex Economy in Eight Major US Cities. During that time every media outlet in the world reproduced the claimed findings as if they were facts, despite how ridiculous most of them are. I made a few punchy points in an interview:

Q+A: Why Pimps Can’t Be Trusted to Talk About Sex Economics

Lauretta Charlton, Complex City Guide, 17 March 2014

Last week, the Urban Institute released a landmark study called Estimating the Size and Structure of the Underground Commercial Sex Economy in Eight Major US Cities. Its abstract states that “the underground commercial sex economy (UCSE) generates millions of dollars annually, yet investigation and data collection remain under resourced.”

The Institute’s research was focused on gathering information about the sex economy based on evidence in eight major cities across the US. The research relied heavily on interviews with pimps, traffickers, sex workers, child pornographers, and police. According to a quick recap of the study on the Urban Institute’s website, the major findings include:

  • Pimps claimed inaccuracy in media portrayals.
  • Pimps manipulate women into sex work.
  • Women, family, and friends facilitate entry into sex work.
  • Unexpected parties benefit from the commercial sex economy.
  • The Internet is changing the limitations of the trade.
  • Child pornography is escalating.
  • The underground sex economy is perceived as low risk. 

But critics say that the study is misleading and intentionally biased. It’s an oversimplification of what researchers like Laura Agustín, also known as the Naked Anthropologist, argue is a very complicated system. City Guide asked Agustín a few questions via email hoping to get a clearer picture.

In your words, how has this study misrepresented sex workers in America?

LA: It’s not a study about sex workers at all but rather an attempt to view particular sex economies through the highly limited lens offered by of convicted ‘pimps’. The study was designed in a way that assured bias from the start. Women who sell sex are seen as objects manipulated by Bad Men. There’s next to no information about sex workers.

The interview subjects were mostly black/minorities. How is this reflection of continued racism in America?

LA: Again, the bias was guaranteed when researchers chose to centre pimps, but the only pimps they could conveniently interview are incarcerated. Black men predominate in prisons and predominate in the kind of pimping researchers know about, so the study reproduces the usual racist idea that black men pimp white women. This then is made to seem to be the most important aspect of the sex industry, which is laughable.

How have reports of the study misconstrued the real issues at hand?

LA: Media reports uncritically accept and focus on the numbers provided in this study: which city has the biggest sex or drugs economy, how much money pimps earn. I haven’t seen any reporter ask why researchers accepted prisoners’ stories as fact. All interview research has to factor in the possibility that subjects lie; in this case that factor is very big indeed as prisoners can be expected to brag about their exploits.

Do you believe the issues of race and sex work are mutually exclusive?

LA: I’m not sure what you mean. People the world over take up sex work for thousands of reasons and are pulled into or attracted to it by their positions vis-à-vis class, race, ethnicity, gender. No single condition decrees how a sex worker will fare; to understand any individual you need to listen to their story.

Analyze this quote from the study, “They have a saying in the pimp game, ‘If it ain’t white, it ain’t right. If it ain’t snowing, I ain’t going.”

LA: Analyse? I’d say that’s a typical cocky man’s comment aimed at showing how in-control he is. Perhaps a black man said it to a white woman? In which case he was ‘snowing’ her.

***

Next Huffington Post Live did a brief show with four panelists using Google Hangout. The technology allows participants to interact verbally, but there’s no eye contact, which limits things. This was called Understanding The Modern Sex Work Industry

Most of the critical commentary after this event centred on Dennis Hof’s screwy comments about unregulated sex workers’ having AIDS and being sex-trafficked, as he single-mindedly promotes the model of commercial sex he understands – his own Nevada brothels. More to the point, the show was meant to be about the Urban Institute study, but I doubt Hof ever even looked at it. This meant the already brief show lost focus. Still, because of twitter this small critique took place, which is a good thing.

Someone would have to pay me to write up a real critique of the Urban Institute study. The bottom line is researchers were funded by a crime-oriented agency to confirm everything the US government already does. Even sell-out researchers could not find the kind of horrible connexions between sex-drugs-weapons they wanted, but they admitted the possibility that things could be much worse than study shows (the Weapons of Mass Destruction ploy). I can imagine the study’s results leading to proposal for national-US antiprostitution law – ‘to facilitate policing’. Here’s a selection of tweets from 12-20 March 2014 (from @LauraAgustin). More like raw data, in no special order, hashtags removed.

“Estimating the Size and Structure of the Underground Commercial Sex Economy in 8 Major US Cities” Ludicrously banal
Urban Institute report on US sex economy is obsessed with pimps. In fact the report is about pimping, not the sex industry, not sexwork
This will become the Bible for End Demand. pimps are their sole interest.
Today news items worldwide shout about a badly biased US govt-funded study of pimping. Bad Men- what everyone loves
Headlines include “US pimps can pull in $33 000 a week” & “Street Gangs Deeply Involved In Commercial Sex Trade”. No sexworkers visible.
“Commercial sex trade widely segmented, the report found” Really? They call this study a first but it’s the last to say the most basic stuff.
“The focus is through the lens of imprisoned pimps & traffickers & those who put them behind bars” Barefaced bias that should be dismissed. Read the rest of this entry »

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ladywithaguncYou can now watch sessions from the University of Texas at Austin November 22-24 conference on Sexual Citizenship and Human Rights: What Can the US Learn from the EU and European Law? The panel called Sex Work, Migration and Trafficking was held on the 23rd, where my original talk was called ‘Contentious and contradictory: Prostitution-law campaigns in Europe‘.

But when I saw that the other two speakers on the panel were speaking on trafficking, one of them from a Rescue-Industry standpoint and the other juridical, I threw out that talk and gave another, hoping to give a humanist context to the other presentations. I called the new talk Denial of Consent, because consent had been mentioned frequently at this event in regard to adolescents’ right to have sex, which was even claimed to be a human-rights concept. I was struck that no one mentioned the UN Convention on the Rights of the Child, which defines everyone under 18 as a child and is constantly used by anti-prostitution campaigners to claim that adolescents who sell sex cannot consent. One might think consent is easily granted to boys and not to girls.

It’s a mistake, in a three-day conference dedicated to the subtleties of sexual citizenship, to dump three deep topics – Sex Work, Migration and Trafficking- into a single panel. Each of those deserves a panel of its own, or alternatively a panel could be devoted to just one of those, making sure all the speakers address it. I ended up doing double work, and it was not easy to limit my introduction to only 30 minutes. A lot is omitted in what you hear below, so I hope it all makes sense. The event was held in a Law School, which explains the rather dramatic courtroom setting, with me a witness in the box.

The session is introduced at 01:30 in the below video by Gloria González López of the Center for Mexican American Studies. My talk begins a minute later and ends at 35:58. The third speaker (Janet Halley) was present via Skype, so you cannot see but perhaps you can hear her. Should the videos fail, you can watch on youtube.

Other conference sessions can be viewed here.

–Laura Agustín, the Naked Anthropologist

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