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During the 20 years I’ve been consciously thinking about migration and prostitution, sex work and the sex industry, I have rarely seen such a bad portrayal of these deep and complex topics as in a New York Times piece on sex slaves I lambasted the other day. I lived a number of years in Spain, and it struck me early on that the endless discussion of prostitution failed to comprehend the variety of kinds of sex for sale within the industry, in all sorts of venues and situations that could be seen as good, bad or indifferent but that ought not to be reduced to any abstract, simplifying, uncontextualised term.

Here are researched descriptions of four types of places where different kinds of sexual services are for sale in Spain: large highway clubs, private flats, small houses associated with agriculture and the international coastal zone. After each description, I highlight the socially interrelated themes that arise from even such a brief glance, in order to point out how a cultural study of commercial sex – not prostitution – might proceed, on the assumption that knowing more about the specifics will help promote justice for more people.

Puticlubes (from puta, whore)

Streams of cars and trucks roar along multi-laned routes that connect Spain with France, Germany and other states east and with Portugal to the west. For long-distance truck drivers, the backbone of European commerce, long stints of solitary driving must be broken up with places offering rest and recreation. The buildings strung along these superhighways, as well as along smaller, provincial roads, are known informally in Spanish society as puticlubes (whoring clubs), but to those that work there they are hoteles de plaza, a term that refers to the employment system used, in which those offering sex for sale pay a daily rate for a place to live and work for three-week stretches. These businesses may house 50 workers or more, and in some areas, such as between Burgos and the Portuguese border, numerous clubs are located close together, forming a veritable erotic shopping area. With multiple floors, luxurious decorations, videos, live shows, jacuzzis and ‘exotic’ music—the latest rock from Moscow, for example—these clubs have come to represent luxurious sites of conspicuous consumption. Here customers pay as much as ten times the ordinary price for drinks, and it is the job of those working there to get them to buy as many as possible, since this is the owner’s major source of income. The array of nationalities living in the club at any one time is a phenomenon surely unique to sexual milieux: a German or Spanish truck driver or businessman may find himself surrounded by Rumanians, Nigerians, Colombians, Ukrainians, Brazilians and Moroccans. Imagine spaces filled with people speaking many languages, spaces where people from very different cultural backgrounds mix: the result may feel extravagantly cosmopolitan to some customers, who use these lavish venues to entertain and impress their own business clients. Other habitués include young men wanting a night out (and perhaps a sexual initiation) and lovelorn bachelors or widowers seeking company, all of whom may spend hours drinking, talking and watching. There is no requirement to purchase sex at all, and if it is, it occupies no more than twenty minutes (rules of the house, which wants workers back promoting drink as soon as possible). A large number of support personnel is needed to keep these high-overhead businesses going, and because they employ many migrants, good public relations are necessary with local police and immigration inspectors. Workers move on after their three-week stints, assuring that novelty will always be on offer.

To consider this venue as only ‘prostitution’ requires focussing exclusively on the 15-20 minutes when customers may retire to a private room with workers. Much feminist polemic has been written about concepts of exploitation, coercion and the lack of choice suffered by women in these jobs, as well as how they have reached this destination. Ignored are the work and lifestyles of long-distance truck drivers; cultures of entertainment among businessmen; multi-ethnic workplace cultures; the performance of masculinity and femininity and the reproduction of gender roles; homosociality (masculine bonding, competition, deal-making); financial advantages of owning such businesses and the extent to which lack of regulation makes it possible; relationships with local communities, employees and management and how sites may be used to accumulate social and cultural capital.

Private Flats

Where clubs specialise in splashiness and publicity, private flats offer discretion. They exist in most towns. Here the client rings up first to make an appointment in the kind of building that suggests tenants are ‘respectable’ middle-class families. The manager of the flat arranges for clients not to run into each other, and the flat itself displays few or no sexual signs; on the contrary, it may have floral-patterned covers and teddy bears on the beds, crucifixes and images of saints on the walls and the smell of home cooking wafting from the kitchen. A chain and cuffs hanging from a hook on one wall may indicate special services offered. If the customer has not requested a worker he already knows, he makes his selection and goes to a bedroom. Again, the mix of nationalities and ethnic groups is notable. These businesses rely on classified advertisements and mobile telephones, the two elements also making possible the boom in independent workers who run their own business from their own flat.

Again, most theory has focussed on the sexual acts that occur in flats and the extent to which women workers have chosen to perform them. Subjects that need researching include the cultural role of privacy and discretion; the possible meanings of domesticity as a sexual setting, including religious and family icons; communications technology’s contribution to the development of businesses.

The Agricultural World

In the southern province of Almería, a large proportion of the tomatoes and other vegetables Europeans eat are grown under plastic in vast plantations operated under semi-feudal conditions. Closeby, various kinds of sex businesses coexist, ranging from luxurious bars with private cubicles to rustic, poor housing where tenants open their doors to clients. The luxurious are located close to the plantations, even directly across from them, and those who enter and pay the prices are Spanish owners and other ‘whites’ from the managerial class, many of them men who were once agricultural labourers themselves. Women who work here come from Eastern Europe and the former Soviet Union. The rustic are located farther away, sometimes up inconvenient roads with few public services; here the clients are ‘non-white’, often undocumented, migrants. Here, Nigerian women offer offer sex and other domestic services in their houses (meals, drinks, washing and ironing, music, a place to stay the night). Occasionally tourists wander up from the beaches, seeking something different from the nightlife of the tourist coast.

While ‘prostitution’ is present here, this form of commercial sex attests to a traditional link with migrant sectors such as farming, mining and shipping. Useful research would look at the interrelation of commercial sex with other industries; the intersections of different informal-sector economies and forms of servitude; how the business segments by class, colour and ethnic group. Ethnographic work would consider what kind of relationships are developed among subaltern employees in different expatriate sectors.

The Cosmopolitan Frontier

This is the area of Spain where Spanishness fades and cosmopolitanism, tourism and hybridity reign. Businesses in Torrelinos, Marbella and smaller towns along the coast highway advertise in a brochure called Encuentros (meetings) which categorises its offerings under the terms Gay Bars, Swapping, Private Establishments and Contacts and Sex Shops. A plethora of clubs, bars, party rooms and flats advertise, mentioning as specialities piano-bars, saunas, jacuzzis, turkish baths, dark rooms, go-go shows, striptease, escort services, bilingual misses, private bars, dance floors, a variety of massages, private booths with 96 video channels, gifts for stag and hen parties, latex wear and aphrodisiacs. Apart from the sexual products and services available, other conditions are announced, such as air conditioning, valet or private parking, swimming pools, credit cards, select clientele, television and accessibility for the handicapped. Many adverts play down the commercial aspect by emphasising the ‘non-professionals’ present. Fitting the international environment, businesses are called Milady Palace, Play Boy, Melody d’Amour, Dolly’s, New Crazy, Glam Ur Palace Club and Titanic. Many are located in ordinary shopping strips.

Obviously, ‘prostitution’ occurs in these venues, but further areas for research include the influence of tourism and its correlation with questions of image and class in services; the positioning of gay culture and diverse sexual subcultures with commercial sex; the existence of subcultures within commercial sex; the role of entrepreneurism in the proliferation of sites. It would be interesting to know which kind of customer goes to which kind of place, how entrepreneurs decide what to offer in such a compact area chockful of sex businesses and how long businesses last. Are there sexual cultures here that extend into the rest of Spain or that tourists take home with them?

– Laura Agustín, the Naked Anthropologist

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Aquí no hay puticlub: There’s no sex club here. This sign was erected by a British landowner along a rural route in Spain where customers in search of a commercial sex venue apparently drive in error. There are many sex clubs, bars and brothels of all shapes and sizes in Spain, where selling sex is not illegal, but key activities surrounding it are. I wrote about the different types of venues years ago when arguing for a cultural study of commercial sex.

I wonder if future historians will track how misinformation about migration and sex work was so willfully reproduced during the present period, how news publications with a reputation for actual investigation began to copy chunks of pseudo news and paste them together, were satisfied to quote only society’s most predictable, official and reductionist sources and failed to admit that the police force of any country is not the place to find out about complex social problems.

Any authentic interest in the topic at hand could not be titled In Spain, Women Enslaved by a Boom in Brothel Tourism – a cartoon-like story full of the most superficial sensationalist cliches, mostly derived from police sources and a few abolitionist advocates. Yet this is the story The New York Times published on its front page the other day, complete with a ludicrous photo of a young woman in high red boots worthy of the cheapest rag. As the story claimed to be about brothels (indoor venues), why did they illustrate the story with a picture of street prostitution – again, on the front page? I know of no serious research that talks about brothel tourism, by the way. On the other hand, men who live in places where no venues are available have always been known to cross borders or travel distances to get to them. There is no news about that.

The issue is failure to investigate and report dysfunctional migration policy and how growing economic inequalities promote the taking of unregulated, unprotected jobs in in underground economies, including in the sex industry. If this article had appeared in the New York Daily News or Britain’s Daily Mail, I wouldn’t even bother to comment, and it would take too long and be too annoying for me to critique the entire article, but here are a few of the most misleading simplifications:

* Young Men Flocking to Spain for Sex With Trafficked Prostitutes: title to a banal set of photos, some taken at a big sex club on the Spanish border near France. Border crossings for all sorts of reasons, sex, wine and rambling among them, have been going on forever in that area not only pottery and leather goods as the article says. How old can these reporters be that they seem to be describing naive tourists from the US in the 1950s?

* Sob story implying migrants’ families are heartless:

The police came across one case in which Colombian traffickers were paying one family $650 a month for their daughter. She managed to escape, he said. But when she contacted her family, they told her to go back or they would send her sister as a replacement.

One police case plucked out of thousands to imply how awful other places are, because there could never be a cruel or desperate family in the US, right? And no mention of the many more family projects that do not involve such melodrama.

* Pretense that something new and different is happening:

…experts say that prostitution — almost all of it involving the ruthless trafficking of foreign women — is booming, exploding into public view in small towns and big cities.

When selling sex is not illegal it may occur anywhere without people hiding, if that’s what they mean by public view – that is hardly surprising news.

* The report says one migrant still owed them more than $2,500, as though it were an egregious amount. In fact, that much can often be paid back in a fairly short time – one, two months – by someone working in a busy sex club. And as I have written many times, migrants pay for a series of valuable services, so without knowing a lot more about this particular story we do not know what this sum means.

* Attempt to cause moral panic about the young.

In the past, most customers were middle-aged men. But the boom here, experts say, is powered in large part by the desires of young men — many of them traveling in packs for the weekend — taking advantage of Europe’s cheap and nearly seamless travel. “The young used to go to discos,” said Francina Vila i Valls, Barcelona’s councilor for women and civil rights. “But now they go to brothels. It’s just another form of entertainment to them.”

All research for a long time has suggested that young men in groups habitually drop into clubs and drive through streets with sex workers as part of nights out. The same evening easily includes both discos and sex clubs. The word packs makes the men sound predatory, of course.

* Then they try to make it a problem of growing demand for sex services from younger tourists, so ignorant about travel outside the US they don’t know that people in neighbouring countries here rarely refer to each other as tourists. In Europe, everyone moves around all the time, the Schengen agreement meaning no border checks. This is not news. And to claim that Spain has also become a go-to destination for sex services is laughable. Spain has been a major tourist destination for decades. Holidays may always include sex, paid or not, and there is definitely a market for men visiting numerous European cities to enjoy stag parties. Spain is not particularly famous for these, but trends may change.

* Ignorance about migration:

Thirty years ago, virtually all the prostitutes in Spain were Spanish. Now, almost none are. Advocates and police officials say that most of the women are controlled by illegal networks — they are modern-day slaves.

Women from Latin America travelling to Spain to work in domestic service or sell sex is indeed a decades-long phenomenon, so that different generations in the same family are involved and networks are mature. Networks are illegal because migrants are undocumented, not because they are sinister. This is just yellow-press exaggeration.

I have to stop here; there is just too much irresponsible rubbish in this article. Toward the end a few interesting facts slip in that indicate the subject is far more complex than the cheesy reporting has so far let on – the reporters must not have realised. I also could provide numerous links to my own writings, many based fundamentally on my own years of living and researching in Spain, but the New York Times will never be interested.

–Laura Agustín, the Naked Anthropologist

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DMSC's Avinash clinic. Photo: Indranil Bhoumik/Mint

The most popular page on this website is a 2009 story about prices in Sonagachi, a red-light area in Kolkata. It got more than 200 comments, mostly from clients, some from pimps, others from morally outraged folks, mostly in India. I used to work at deleting the nasty ones every day, and then I stopped allowing comments, or there would be heaven knows how many by now. I have more than once been asked to remove the most sexist and deplorable comments, but how would this make sense, given my interest in understanding what’s going on in commercial sex and gender relations? Not to mention that erasure would be a weird form of End Demand.

DMSC, or Durbar Mahila Samanwaya Committee, the sex worker collective described in a story below, operate a project in Sonagachi. Their principles are

  • Respect and dignity to sex work and towards sex workers
  • Reliance on the knowledge and wisdom of the community of sex workers
  • Recognition of sex work as an occupation and preserve and protect their occupational and human rights

Accusations have been made by anti-prostitutionists (among them Nicholas Kristof) that there is something sinister about DMSC. The slurs, which have never been substantiated, probably derive from the collective’s requirement that journalists, academics, philanthropists and other tourists seek permission before swanning in to take photos of people. DMSC consider such behaviour to be theft. For those who want to abolish prostitution and make everything into trafficking and slavery, Durbar’s refusal to play along with gawkers must be annoying, given the collective’s size, but that is no reason to slander the whole project.

In the following birthday story please note how many areas they are active in: culture, health, sports, children and publishing, as well as advocacy, lobbying and other kinds of activism. I especially like the description of a party for the marginalised, in which taboos are taboo.

The New Rhythms of Sonagachi

Kolkata Chromosome/Shamik Bag, 24 February 2012, livemint.com

As the city’s sex workers collective turns 20, we meet members who have found confidence in their enhanced social presence. For what is sometimes referred to as the world’s oldest profession, a mere passage of two decades can seem irrelevant in the life of Sonagachi—the red-light area in Kolkata and among the largest brothel districts in Asia. Yet, in these 20 years, 38-year-old Swapna Roy has seen a change in the way people refer to her—from being sneeringly mentioned in the coarse Bengali equivalent of slut, Roy today is a jouno kormi—a sex worker.

Roy’s daylight hours are busy—every day she is on the field in areas like Ultadanga and Janbazar as the joint coordinator of a project which sensitizes around 3,000 sex workers on safe and hygienic practices. She also keeps a tab on her two schoolgoing children, one of whom got a first division in the Madhyamik examinations last year. There is no unease about the business of her sundown hours. “We have come to realize that sex work is like any other work and I’m like any other worker. In these two decades, we have learnt to appreciate this.”

We are in the office of the Durbar Mahila Samanwaya Committee (DMSC), a collective of 65,000 sex workers from West Bengal. The organization works for women’s rights and is at the forefront of the fight against HIV/AIDS and related issues. Sex workers are the primary office bearers and stakeholders at DMSC, and in the 20 years of its existence, the organization has been responsible for bringing out into the streets—and into middle-class drawing rooms, through newspaper and television coverage—the issues facing sex workers, including the demand for legal sanction for the profession.

“You will find bank managers trying to woo them for their accounts and senior police officers calling up to seek appointments. Many of them are frequent fliers to Delhi and some travel abroad every three months on official work. There has been a cultural shift in society’s perception of sex workers,” says Shubha Ranjan Sinha, a senior DMSC official, sitting in the spacious front room of Durbar’s Nilmoni Mitra Street office, near Sonagachi. Posters with slogans like “Liberty, Equality, Sexuality” and “Only rights can stop the wrong” adorn the walls.

The three-storey office is abuzz. The next day, 15 February, would mark 20 years since a team of medical professionals, led by Smarajit Jana of Kolkata’s All India Institute of Hygiene and Public Health, visited Sonagachi on an HIV intervention research study. In due course, Dr Jana realized that for the sex workers, their children’s education, access to financial services and fending of police harassment and torture by local thugs was more important than urging a client to use a condom. So Dr Jana founded DMSC, with sex workers as stakeholders, based on the value of “collective bargaining power”. From 12 members in 1995, DMSC draws its current strength of 65,000 members from 48 branches across the state, each headed by an elected secretary, according to Dr Jana.

The following day, the terrace of the Durbar office, the venue of the anniversary celebrations, is cheerfully decorated with streamers and balloons. With a cake waiting to be cut, speaker after speaker gives short speeches to mark the occasion. There is much to cheer about, it seems. In 1995, Usha, the consumer cooperative society and micro-credit programme under DMSC, convinced the Bengal government to alter the state’s cooperative law to register it as a sex workers cooperative instead of being wrongly labelled a housewives cooperative. With more than 5,000 members putting in their small savings, Usha, as of 2006-07, had an annual turnover of Rs. 9.75 crore and has disbursed Rs. 2.12 crore in loans to members. This came against the monopoly of Sonagachi moneylenders, some of whom charged 300% interest against loans. Some sex workers also have health insurance, while some have got voter identity cards with the Election Commission of India recognizing their Usha membership as valid identity proof. State Bank of India has also begun to recognize sex work as a profession while opening accounts, says Dr Jana. DMSC also runs 17 non-formal schools for children of sex workers, and two hostels at Ultadanga and Baruipur. There are regular teachers who give tuition to boarders (students who are pursuing higher education) in different subjects.

Members of Komol Gandhar, DMSC’s cultural wing dedicated to dance, drama, mime and music and run by the children, get invited regularly for paid shows. Eminent theatre personalities like the late Badal Sircar and Rudraprasad Sengupta have earlier trained its theatre unit. The Durbar football team, largely comprising children of sex workers, has for the first time in the 2011-12 season, participated in the nursery football league conducted by The Indian Football Association, West Bengal. They have won six of the seven games they have played so far, says coach Biswajit Majumdar. Some of the young footballers, says Majumdar, have represented Bengal at national-level junior championships.

Mrinal Kanti Dutta, one of the 12 founding members of Durbar, is the author of three non-fiction books, one of which is based on his experience of living in the Kalighat red-light area with his mother. While the three books have been published by Durbar Prakashani, the in-house publishing wing which has around 25 titles and brings out a popular monthly magazine, Dutta’s forthcoming novel, Pakhi Hijrer Biye, will be launched soon by a well-known College Street publisher. Dutta dropped out of college out of fear of getting ridiculed after his batchmates spotted him in the Kalighat red-light area.

Yet, on various occasions, Durbar has been hauled up for its insistence on legalizing sex work, its inability to eradicate violence and exploitation in red-light areas, and for not disclosing to patients the positive results from HIV tests. As Dr Jana says, HIV+ results are not disclosed only on occasions when Durbar has to follow norms under National AIDS Control Organisation’s (Naco) “unlinked anonymous” testing programme, even while admitting that more needs to be done to stem violence.

The terrace party comes across as a zone that is manifestly liberated from the moral scruples of the greater society that surrounds Sonagachi. Here, taboos are taboo and the fringe of Kolkata life—sex workers, their children, cross-dressers and transgenders —are comfortably cocooned through their commingling. Part of the confidence and inspiration comes from the story of Bharati Dey, secretary, DMSC. Dey is a frequent flier and has already exhausted the pages of two passports. As a sex worker in the mid-1990s, Dey is well-known for the movement she launched in 1997 in the Naihati- Barrackpore industrial belt against the mafia and political extortion. As she speaks, words like attempted murder, lynching, revolver and gang rape flow effortlessly—almost as if she is nonchalant to the indicators of her earlier existence. But, as Dey admits, it is life’s experiences that have shaped her and these days words and phrases like AGM (annual general meeting), Geneva Conference, donor agencies, advocacy and human rights, are uttered as easily.

We don’t dissuade adult and willing girls from entering the profession. It is easy to say sex work is bad, but most girls come from poverty stricken families and are uneducated,” says Purnima Chatterjee, who sits on a self-regulatory board, which works as a watchdog body in all DMSC branches against trafficking and introduction of minor and unwilling girls into the trade…

It’s close to noon, and outside the clinic, where we meet, Sonagachi is stirring after what must have been yet another late night out in an area that is home to an estimated 11,000 sex workers. Bare-bodied men soap themselves frenetically at a public bath, a juice vendor peels the skin off pineapples, rickshaw-pullers wait for passengers, petticoats and blouses are collected from clotheslines in surrounding brothels. Crows and vultures fly above an overflowing garbage dump next to a black granite-faced building named Night Lovers.

Through this scene, 23-year-old Mita Mondal’s thin voice can be heard. Mondal is the lead vocalist and face of the Durbar band. She was rescued as a minor from the streets of Sonagachi eight years ago. The band practises on the vacant third floor of the building which houses the Avinash clinic, and the strident music filters out of the open windows to the streets below. Mondal occasionally goes off key and the conga player misses a rhythm or two. But everything falls into place when Mondal begins singing the Durbar anthem. It seems well-rehearsed, the dholak player shakes his head like a wound-up toy, and everybody mouths the chorus lines amid a sudden outburst of collective energy.

Laura Agustín, the Naked Anthropologist

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In a notable cultural contrast, anti-prostitutionists feel it important to constantly manifest their strenuous indignation through yelling and hyperbole, whereas those searching for more nuanced sex-work policy generally employ a calm, reasonable tone, overtly not getting excited. That is a sort of capsule description of the difference between a moralistic stance and a scientific one – not that the science involved here is the hard kind that can produce the indisputable evidence everyone longs for.

Commissario Brunetti, protagonist of Donna Leon’s popular crime series set in Venice, exudes the jaded tone of the pragmatists in this passage from A Question of Belief. Leon, like other contemporary novelists of Europe, now includes the everyday realities of undocumented migration routinely as background and often enough as part of the main plot. The presence of exploitative networks is simply not something to get wound up about anymore, even though acceptance involves stereotyping migrant groups. The fact is, though, that undocumented migrants operate through networking, and first networks are with people whose ways they are already familiar with (their families, neighbours, friends).

In this excerpt, the air temperature in Venice is overwhelming the commissario’s will to work:

Brunetti wondered at the possibility of making some sort of deal with the criminals in the city. Could they be induced to leave people alone until the end of this heat spell? That presupposed some sort of central organisation, but Brunetti knew that crime had become too diversified and too international for any reliable agreement to be possible. Once, when crime had been an exclusively local affair, the criminals well known and part of the social fabric, it might have worked, and the criminals, as burdened by the unrelenting heat as the police, might even have been willing to cooperate. ‘At least until the first of September,’ he said out loud.

. . .how to convince the Romanians to stop picking pockets, the Gypsies to stop sending their children to break into homes? And that was only in Venice. On the mainland, the requests would have been far more serious, asking the Moldavians to stop selling thirteen-year-olds and the Albanians to stop selling drugs. He considered for a moment the possibility of persuading Italian men to stop wanting young prostitutes or cheap drugs. (pp 15-16)

For more world-weary novelistic depictions of sex work see posts on novels by Lawrence Block, Ian Rankin and John Rechy.

–Laura Agustín, the Naked Anthropologist

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Do people want slavery to come back? It would seem that the idea is erotically compelling, granting permission to imagine naked women and children in bondage, in chains, in the thrall of evil captors. With these scenarios, viewers and readers don’t have to think, because Good and Evil are clearly identified with no chance that contradictory uncertainties will muddy one’s reactions. The ferocity with which Kristof is defended is proof that some people will not tolerate any interesting human ambiguity at all (see hostile comments).

But are visions of enslavement also attractive? A new film about an elite brothel in 19th-century France was reviewed in an extraordinarily biased way in the New York Times (whose judgement on slavery issues is now officially in doubt). After sketching what sounds like a dark, subtle, moody movie, the reviewer concludes There is only one word to describe life inside L’Apollonide: slavery.

But the reviewer sounds as though he did not understand the film or its particular artistic vision. Being set mostly inside the brothel itself, any aspect of prostitutes’ lives outside are omitted. The filmmaker has limited the stage to the usual focus in depictions of prostitutes’ lives – the workplace where they perform. The reviewer sounds very naive about women’s lives in general, including today, if he doesn’t know that we get ‘poked at’ by ‘imperious male doctors’ and feel like ‘slabs of meat’. Et cetera. Whatever he chooses to describe about this film, his conclusion that it’s about slavery is just silly.

The Life of a Courtesan, Viewed From the Inside

Stephen Holden, 24 November 2011, The New York Times

Madeline . . . is a prostitute . . . at L’Apollonide, an elegant Parisian brothel at the end of the 19th century. Early in the movie, when she entertains a handsome young client who produces an emerald, she wonders out loud if the gift is a proposal. But this tender moment is only a dream. [This is a sexist, pro-romance comment, as if marriage were so great.]

The young man, who confesses that he wants to hurt her, has other things in mind. In a subsequent encounter, he coaxes her into letting him tie her up. He produces a knife, trails it lightly across her naked body and between her lips, then slashes her from both corners of her mouth, while she emits a rending scream. . . .[Sadistic nutters exist everywhere, not only as clients in brothels.]

Demoted from courtesan to housekeeper, Madeline continues to hover on the edges of the film, a stoic, nearly silent presence. In a later scene she is the impassive erotic object of curiosity at an elaborate sadomasochistic banquet at which the madam has rented her out for the evening. [These are performances, remember.]

. . . Throughout the film there is an abundance of sumptuously photographed flesh on view. But House of Pleasures is not an erotic stimulant so much as a slow-moving, increasingly tragic and claustrophobic operatic pageant set almost entirely in the brothel. The heavy candlelit chiaroscuro paints the women as mobile Renoirs, Degases and Manets. . .[But real life is not always candlelit, even in a brothel.]

As this languidly paced film draws you ever deeper into a cloistered world, which it examines in microscopic detail, you become familiar with its rituals and breathe in an atmosphere that in the words of one character “stinks of sperm and Champagne.” And perfume and scented soap, I would add. [Why does the reviewer add this cliché?]

The movie details the rules of the house and shows the women bathing, dressing and preparing for work. Except for a daytime excursion and a brief epilogue set in contemporary Paris, it unfolds entirely inside the mansion. In one uncomfortable scene the women are lined up for minute internal examinations by an imperious male doctor, who pokes at them as if they were slabs of meat. In the days before penicillin, venereal disease was a major occupational hazard. One of the women is found to have syphilis. [And today other illnesses are hazards.]

We are told the conventional scientific wisdom of the day that prostitutes and criminals have smaller heads than other people. [That was the academic thinking of the day.]

The patrons — most of them are wealthy, older repeat customers — treat the women with a guarded, paternalistic affection that half conceals a profound condescension, one manifestation of which is the pressure on the women to act out elaborate, humiliating fantasies. One is given a chilly Champagne bath. Another goes through the jerky body language of an expressionless marionette. A third is made up as a Japanese geisha and required to speak in a kind of Asian baby talk. [Insiders will not be surprised at the odd requests of customers; nothing demonic here.]

As we become familiar with individual prostitutes, it becomes ever clearer that sex work at L’Apollonide is not a recommended means for a rebellious girl to assert her independence. The youngest, 16-year-old Pauline (Iliana Zabeth), loses her enthusiasm as she realizes there is no future in the work. The best possible outcome is the unlikely prospect of being bought by a wealthy man, which the screenplay suggests is akin to exchanging one prison for another.[Compared with what? [There were no means for rebellious girls to assert independence in the period and place of the film without being stigmatised, abandoned or worse.]

All of the women sustain debts incurred by the expense of their high-maintenance appearance. Even the madam, Marie-France (Noémi Lvovsky), whose two children and pet panther live on the premises, is a victim. When the landlord decides to raise her rent astronomically, an official she counted on for help refuses to intervene. [Standard situations for women, then and now, whether they sell sex or not.]

There is only one word to describe life inside L’Apollonide: slavery.

Nonsense. The reviewer sounds inexperienced and unsophisticated. Someone go see the film and report back, please.

–Laura Agustín, the Naked Anthropologist

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What do Mrs Robinson, the Pope and Julian Assange have in common? They all got caught in sex scandals, which will be considered on a panel at the mega America Anthropological Association conference in Montreal in November.

Excerpt from the Abstract

. . . The papers do not look past sex scandals to ask what they are ‘really’ about. Instead, they take the scandals seriously as significant social and cultural events that have their own genesis, configuration, cadence and course. Anthropologists are well-placed to understand sex scandals because extended fieldwork and familiarity with different groups and with conflicts in society allows us to place the scandal in historical, political, and cultural context. . .

I am on this panel, giving a talk called Assange’s Sex in Sweden, because I was an expert witness for him in the UK earlier this year, having written about rape in Sweden a while ago. This is the sort of academic-industrial conference I have always avoided, but for various reasons I am going to this one. I can’t say how much I will be there apart from my own panel, though!

AAA Conference, Montreal, Canada 2011
4-0430 Notes on a Scandal

Friday 18 November 2011: 10:15-12:00

Organizer and Chair: Don Kulick, University of Chicago

10:15
On Julian Assange
Laura Maria Agustín (Independent scholar)
10:30
On Jacob Zuma
Bjarke Oxlund (University of Copenhagen)
10:45
On Silvio Berlusconi
Roberta Raffaetà (Università di Trento)
11:00
On Mrs. Robinson
Thomas Strong (National University of Ireland, Maynooth)
11:15
On Aussie Footballers
Lenore H Manderson (Monash University)
11:30
On Thai Monks
Peter A Jackson (Australian National University)
11:45
On the Holy See
Nancy Scheper-Hughes (University of California, Berkeley)

–Laura Agustín, the Naked Anthropologist

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It is striking that in the year 2001 women should so overwhelmingly be seen as pushed, obligated, coerced or forced when they leave home for the same reason as men: to get ahead through work.

Sex trafficking and human trafficking were not words on everyone’s lips when I wrote the above ten years ago. I was trying to figure out what was special and problematic about migrants who sell sex, believing that migrants are migrants, no matter what jobs they end up getting (including prostitution or sex work). Nowadays, a lot of the social conflict is about statistics: how many are trafficked, how many are illegal migrants. But even more it is about definitions, world views, ideas about sex and money, the insistence that a particular cultural view should be everyone’s.

Most conversations about migrants who sell sex present black-and-white versions of something that is almost entirely grey. For moral crusaders who would rush to legislation or attempt to prove that one sort of law is better than others, my vision is not satisfying. I say Stop, slow down. Until you comprehend the myriad elements present amongst people who leave home to go to another country and sell sex, you shouldn’t be passing laws about them. Of any kind. This is not useless postmodern dithering but the position that until you understand the minimum about how people experience their own lives you cannot responsibly take actions to help them. If you don’t care what they say themselves then don’t talk about helping and admit that control is what you want: the power to make people stop doing what you don’t approve of and start doing something else, whether they want to or not.

Leaving Home for Sex is the first piece I published that defined what my work would be for the next few years. At the time it was unusual not to use the term prostitute, but I also didn’t just substitute the term sex worker. Instead, I tried to describe how selling sex can be an occupation that works out all right for migrant women without their taking on a definite identity based on it. You will see ‘Challenging place’ in the original title because the piece was written for a special journal issue on women and place – the local and the global. I suggested that migrant workers didn’t fit into that framework but could sometimes be viewed as cosmopolitan subjects: that neither poverty nor bad jobs nor lack of complete ‘choice’ over your life prevents you from also becoming cosmopolitan.  Click on the title to get the pdf.

Leaving Home for Sex

Laura Mª Agustín, Development, 45.1, 110-117 (2002).

As soon as people migrate, there is a tendency to sentimentalise their home. Warm images are evoked of close families, simple household objects, rituals, songs, foods.[1] Many religious and national holidays, across cultures, reify such concepts of ‘home’ and ‘family’, usually through images of a folkoric past. In this context, migration is constructed as a last-ditch or desperate move and migrants as deprived of the place they ‘belong to’.Yet for millions of people all over the world, the birth and childhood place is not a feasible or desirable one in which to undertake more adult or ambitious projects, and moving to another place is a conventional—not traumatic—solution.

How does this decision to move take place? Earthquakes, armed conflict, disease, lack of food impel some people in situations that seem to involve little element of choice or any time to ‘process’ options: these people are sometimes called refugees. Single men’s decisions to travel are generally understood to evolve over time, the product of their ‘normal’ masculine ambition to get ahead through work: they are called migrants. Then there is the case of women who attempt to do the same.

Research in a marginal place: Geographies of exclusion

For some time I worked in educación popular in Latin America and the Caribbean and with latino migrants in North America and Europe, in programmes dedicated to literacy, AIDS prevention and health promotion, preparation for migration and concientización (whose exact translation does not exist in English but combines something about consciousness-raising with something about ‘empowerment’). My concern about the vast difference between what first-world social agents (governmental, NGO workers, activists) say about women migrants and what women migrants say about themselves led me to study and testify on these questions. I have deliberately located myself on the border of both groups: the migrants and the social, in Europe, where the only jobs generally available to migrant women are in the domestic, ‘caring’ and sex industries. My work examines both the social and the migrants, so I spend time in brothels, bars, houses, offices, ‘outreach’ vehicles and ‘the street’, in its many versions. Data on what migrant women say come from my own research and others’ in many countries of the European Union; women have also been interviewed before or after migrating in Latin America, Eastern Europe, Asia and Africa. Data on what social agents say come from my own research with those who work on prostitution issues in those countries, including as evaluator of projects for the International Labour Office and the European Commission.

Although researchers and NGO personnel have been working with migrant prostitutes for nearly twenty years in Europe, publication of their findings remains outside mainstream press and journals. Most of the people who have met and talked with many migrant prostitutes are neither academics nor writers. ‘Outreach’ is conceptualised as distinct from ‘research’ and generally funded as HIV/AIDS prevention. This means that the published products of outreach research are generally limited to information on sexual health and practices; the other many kinds of information collected remain unpublished. Some of those who work in these projects have the chance to meet and exchange such information, but most do not. Recently, a new kind of researcher has entered the field, usually young academic women studying sociology or anthropology and working on migrations. These researchers want to do justice to the reality around them, which they recognise as consisting of as many migrant prostitutes as migrant domestic/‘caring’ workers. Most of these researchers do oral histories and some have begun to publish but it will be some time before such findings are recognised. Stigma works in all kinds of ways, among them the silencing of results that do not fit hegemonic discourses.[2] The mainstream complaint says ‘the data is not systematised’ or ‘there is no data.’ In my research, I seek out such ‘marginalised’ results.

Discourses of leaving home

It is striking that in the year 2001 women should so overwhelmingly be seen as pushed, obligated, coerced or forced when they leave home for the same reason as men: to get ahead through work. Read the rest of this entry »

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Since I regularly refer to my proposal of a few years ago for the cultural study of commercial sex, here is the original article. A cultural framework is suggested as an alternative to a tradition that has produced the same knowledge over and over, usually about an abstract idea called prostitution that has no stable meaning, rather signifiying all sorts of different things to different people of different social classes and cultures. Commercial sex as a concept takes in everything you might call prostitution and anything else that involves the exchange of sex for money, or sex for presents or benefits – anytime, anywhere (to get away from research that simply does what’s been done before about prostitution but now in a new city! or country! or part of town!).

The follow-up to the framework article came in 2007 when I did a special journal edition with eight articles using the cultural framework. This is all more relevant than ever, because so much research – not to mention campaigning – relies on scanty knowledge of what is actually going on. Click the title to get the pdf.

The Cultural Study of Commercial Sex - Sexualities, 8, 5, 618-631 (2005).

It begins like this:

Why create this framework

Societies’ twin reactions to commercial sex – moral revulsion and resigned tolerance – have paradoxically permitted its uncontrolled development in the underground economy and impeded cultural research on the phenomena involved. Affirmations that the global sex industry is growing and its forms proliferating are conventional in government and non-governmental fora, in the communications media and in scholarly writing. Commercial sex businesses and trafficking for sexual exploitation are blamed for massive violations of human rights, but the supporting information is unreliable, given the lack of agreement on basic definitions, the difficulty of counting clandestine objects and the fact that much of this stigmatized activity forms part of conventional social life.

Little work exists in a sex-industry framework, but if we agree that it refers to all commercial goods and services of an erotic and sexual kind, then a rich field of human activities is involved. And every one of these activities operates in a complex socio-cultural context in which the meaning of buying and selling sex is not always the same. The cultural study of commercial sex would use a cultural-studies, interdisciplinary approach to fill gaps in knowledge about commercial sex and relate the findings to other social and cultural concepts. Recent work has demonstrated how people who sell sex are excluded from studies of migration, of service work and of informal economies, and are instead examined only in terms of ‘prostitution’, a concept that focuses on transactions between individuals, especially their personal motivations (Sanchez, 2003; Agustín, 2004b, 2005). With the academic, media and ‘helping’ gaze fixed almost exclusively on women who sell sex, the great majority of phenomena that make up the sex industry are ignored, and this in itself contributes to the intransigent stigmatization of these women. While the sexual cultures of lesbian/gay/ bisexual/ transgender people are being slowly integrated into general concepts of culture, commercial sex is usually disqualified and treated only as a moral issue. This means that a wide range of ways of study are excluded. A cultural-studies approach, on the contrary, would look at commercial sex in its widest sense, examining its intersections with art, ethics, consumption, family life, entertainment, sport, economics, urban space, sexuality, tourism and criminality, not omitting issues of race, class, gender, identity and citizenship. An approach that considers commercial sex as culture would look for the everyday practices involved and try to reveal how our societies distinguish between activities considered normatively ‘social’ and activities denounced as morally wrong. This means examining a range of activities that take in both commerce and sex.

The purpose of this article is to point out the scarcity of research in these areas and reveal the kinds of issue that are up for study. Although public debate and academic theory on commercial sex abound, few participants are familiar with the wide variety of forms and sites involved; most are dealing with stereotypes and interested solely in street prostitution. This is an area where more information and images need to be disseminated, a project for which I make a small beginning here with some descriptive material from Spanish sex venues.

Since this is the beginning of what I hope will become a new field, I do not here offer any solutions to what is too often characterized as a ‘social problem’. Rather, I hope to interest others in taking up the call to study not ‘prostitution’ but the sex industry in new ways and to gather much more information on the object of governance before offering blanket solutions. This does not mean that important moral and ethical issues are not at stake nor that there is not widespread injustice in the industry. On the contrary, my proposal takes these injustices very seriously, laments the absence of workable solutions up to now and hopes that with better research these may be found.

Further headings are How study has proceeded so far, Definitions of the sex industry in general, Local particulars: examples from Spain, Elements of culture and researcher positionality and a raft of good References.

Obviously everything is culture, but for more examples of writing on sex-industry cultures outside the well-worn paths see:

–Laura Agustín, the Naked Anthropologist

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Sex At The Margins of Surprising Europe was the title given to an interesting piece mentioning my book from This is Africa last week. The occasion was a new episode of Al Jazeera‘s Surprising Europe series entitled Under Pressure, on the experiences of African migrants who sell drugs or sex in Europe.

I have to say I wish these money-making activities had not been separated off from others, reinforcing the stigma about them. In a different episode I watched from the series, a woman living in Holland without money to pay rent is told to go to the red-light district and work. She says she would rather die than do that – which fair enough – and so she had a different kind of very hard time. I could also have done without one typically moralistic condemnation of prostitution as not the way for Africans to get ahead – when the programme actually contradicts her from a practical standpoint – but in general I enjoyed and recommend Under Pressure.

I often say that the so-called illegality of sex jobs is a moot point when workers have no right to be where they are in the first place: you are already breaking the law so why not earn more money while you are at it? Sex At The Margins of Surprising Europe says

Imagine trying to survive without the permission to do any kind of work. You’ve got to eat, which isn’t free, and you’ve got to sleep somewhere, so you need money for this, too. What would you do? This is the problem faced by undocumented African immigrants in Europe. There are only so many cash-in-hand positions for cleaners, fruit-pickers and building-site workers, so many find themselves having to turn to the more ‘illegal’ professions, such as prostitution or selling drugs. Your existence in the country is already seen as ‘illegal’, so what difference does it make?

On the topic of Sex at the Margins (the book) and selling sex they say

The women also possess agency, the capacity to make their own choices, even if these choices undermine the picture of the world that others choose to hold. The remittances, however, can make a huge difference back home, not just for the immediate family but for an entire community.

In this photo, migrant Africans in Italy can be seen possessing agency with Don Benzi, who spent his life trying to convince them to leave prostitution but only succeeded with some. One reason has to do with those remittances. It’s rarely acknowledged, but sex work is undoubtedly responsible for a large proportion of money sent back home, given the fact that it pays so much better than other jobs available to migrants. Read Contributing to Development: Money Made Selling Sex.

Here is the trailer for Under Pressure. Enjoy how it focuses on life for undocumented Africans not from the point of view of horrified or angry white people but from Africans themselves.

See the whole episode and others at Al Jazeera’s Surprising Europe website.

–Laura Agustín, the Naked Anthropologist

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Rerun because I am on the road and because this is a favourite. Do you know whether or not you are a prostitute is the question raised by a sign seen at Zapata’s Mexican Cantina in Shanghai. Most of the heat in conversations about commercial sex goes to the idea of prostitution – whether it can ever be a normalised profession called sex work or whether it is by definition violence against women. Some people think marriage is prostitution; others think all paid work is. For myself, I wonder how people imagine there to be a clear line between commercial and non-commercial sexual transactions, since all of life seems saturated with both.

My curiosity was piqued when I saw the above photo from Zapata’s, a middle-class bar-restaurant located in Tongren Lu, a popular Shanghai nightlife area. It’s not the kind of place where I expected to see a sign about prostitution. Trying to figure this one out led me into the expat world, where only insiders— most of the vocal ones men—  understand what’s going on. I hung around Internet forums where this sign made the rounds and explanations ranged from it was the bar manager’s private joke to the place is filthy with prostitutes; decent girls won’t go there.

There are discussions of the many types of predatory women loose in the city. ISpyShanghai mentions entertainers,Tiger girls, bar girls, butterflies, hostesses, chickens, and those girls on Tongren Lu who will literally jump into the taxi with you if you don’t shut the door quickly enough.

Discussants at forums like Shanghaiexpat say too many pros (professionals) get past bar bouncers and warn each other about falling into the clutches of girls who try to get you inside talk-talk bars, where they will only flirt and promote your buying of drinks.

Some call such bars fronts for prostitution. Others make a class distinction between talk-talk bars and hostess bars, the latter being more upscale. There are also warnings about ladyboys, transvestites and other non-real women, who are even said to form the majority of female-looking customers in some places.

Could Zapata’s managers be trying to keep single women out? Certainly not; Ladies’ Nights are common in Shanghai, where each time the door opens, hundreds of eyes fix on the arriving guests, hoping that they have breasts.

So, what have we got? A commercial bar scene where men with money want females to be available to them for picking up, flirting, and perhaps going somewhere to have sex. Those women may accept gifts of drinks, food, taxis and flowers without losing their shine. In another popular, mainstream, local example, KTV (karaoke television) venues invite men to come in groups and hire the services of women to drink and sing with them in small private rooms.

The taint comes when women do exactly the same things with the addition of asking for cash.

It’s subtle and confusing, isn’t it? When is it legitimate for women to take money or accept drinks? What about the customers— why is there no distinction amongst them? They take out their wallets in all kinds of situations— and that’s considered fine— except when they position themselves as victims of predators. On the other hand, they discuss which KTV place has the hottest/most fun girls.

Zapata’s managers and bouncers are male, so maybe it makes sense that they would put up such a blunt, sexist sign telling prostitutes to keep out. But what does it mean to say If you are unsure whether or not you’re a prostitute, please ask one of our friendly security guards to sort it out for you?

Presumably a professional knows that the sign refers to her or him-self and has no need to consult anyone about it. Which leaves whom?

What if I go to Shanghai alone, get dressed up, and appear alone at Zapata’s bar? Is it okay as long as I don’t talk to any men or am seen to be paying for my own drinks? What happens if the barman brings me a parasol-decorated margarita on behalf of the guy across the bar, who’s already paid for it? Should I now feel worried about being bounced? In case anyone thinks this is unlikely, one of the expat discussions involved a woman who was asked to leave Zapata’s although she was there with girlfriends.

She was said to be Taiwanese. Some of the participants in expat forums specify that they are Chinese. Bouncers might or might not understand different kinds of regional Chinese languages. Someone said prostitutes don’t have to look Asian. Since ho-style is in fashion, clothes aren’t the key to this conundrum. I think I’m better off not going out, or sticking to an old-fashioned hotel bar where I’m allowed to accept a drink from a stranger— or offer one to someone else.

Originally published at Susie Bright’s Journal .

– Laura Agustín, the Naked Anthropologist

 

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