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The Naked Anthropologist · Rescuing a sex slave/worker in a novel: The Darkest Little Room | The Naked Anthropologist

Rescuing a sex slave/worker in a novel: The Darkest Little Room

Numerous novels tell the story of attempts to rescue sad prostitutes or fallen women unconscious of their own degradation. It is a classic theme that took shape in the 19th century, signalling new beliefs in social reform: the possibility that those at the bottom of the social heap were not doomed to stay there but with help could rise up and better themselves. William Holman Hunt’s 1853 The Awakening Conscience, which depicts a fallen woman‘s moment of epiphany, is unusual in omitting any Rescue person showing the way, lifting her up, teaching her how to live.

One version of the prostitute’s saviour is a confused, melancholic man who ‘loves’ her and aims to remove her from the life. In Graham Greene’s The Quiet American, a naive meddler in Vietnamese politics also sets out to rescue Phuong, the young mistress of a jaded older journalist. This book from 1955 is recommended reading for those interested in the Rescue Industry, and I bring it up because the review of another book relates it to Greene’s work.The novel is Patrick Holland’s The Darkest Little Room, the setting is also Saigon and the reviewer’s insights into the main character’s Rescue complex are pointed.

The only off-note in the review is the cliché murky in the headline, as if every time sex goes on sale the moral lights have to go out.

Flawed saviour sucked into Saigon’s murky sex trade

Emily Maguire, The Australian 6 October 2012

“The nights I have spent with prostitutes have been some of the saddest nights of my life,” Joseph reveals near the beginning of the book. He goes on to explain that the sadness comes when the sex is done and he must see the “deep unfeeling blankness” on the face of the “pretty young prostitute”. It’s a telling moment; Joseph is terribly sentimental about sex work, and so unable to see the women who do it as anything other than more or less useful accomplices in his project to redeem himself via loving, and thereby saving, a fallen woman. . .

Joseph cannot see sex workers as fully human lest he be forced to admit that some don’t want saving and, thus, he cannot be the hero he so desperately needs to be.

Emily Maguire’s understanding of Joseph tallies with what I concluded much of Rescue is about after a long time wondering why people saying they wanted to help prostitutes did not listen to what they had to say. In Helping Women Who Sell Sex: The Construction of Benevolent Identities I laid out the foundation for theorising about a Rescue Industry.

Real-life characters like Nicholas Kristof and Siddharth Kara belong to the sentimental tradition of men who want to rescue fallen women and thereby construct for themselves an identity as virtuous Knights in Shining Armour – which is also a path to prestige and power.

Laura Agustín, the Naked Anthropology

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  1. Nice angle. It should be said though, having read the novel, that the reviewer got the nature of the girl in The Darkest Little Room very wrong. Far from a passive victim who wanted saving, Thuy is an extremely clever girl who orchestrates her own rescue by subterfuge. And at last it is she who is the rescuer and redeemer of the men who surrounded her: the Christ-figure who bears strange, miraculous wounds and who effectively returns from the dead to save them.

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    1. Not having read the book myself I can only wonder whether depictions of agency and victimhood are unusually wide open to different interpretations in a novel as well as in real life.

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